MUMBAI: The Sabarmati Report addresses a highly sensitive topic, making its creation and release to a mass audience a significant risk. However, the makers took that bold step, and the audience stood by them.

The Sabarmati Report earned only Rs. 1.25 Cr at the box office on day 1, making the India nett collection the same amount as of now. It had 16.74% Hindi occupancy on first Friday. To note more, the movie is still ahead of Vikrant's another film,

The Sabarmati Report was released on November 15. Based on the Sabarmati Express tragedy, the film has garnered mixed reviews, with some praising its emotional impact while others criticising it for poor execution and lack of depth.

Vikrant Massey, Raashi Khanna, and Ridhi Dogra's film witnessed a low opening at the box office. As per the latest report by Sacnilk.com, the film has managed to mint ₹ 1.15 crore as per early estimates.

Today saw the release of Vikrant Massey’s hard-hitting film The Sabarmati Report. Let's take a look at the social media reactions about the film

The Sabarmati Report* had a lukewarm start at the box office, earning ₹1.15 crore on its opening day, according to early estimates. With an overall occupancy of 16.74%, the film’s opening performance was underwhelming,

Vikrant Massey, Raashii Khanna’s film revisits the 2002 Sabarmati Express fire tragedy that led to the death of 59 passengers

The Sabarmati Report, starring Vikrant Massey, Raashi Khanna, and Ridhi Dogra in the lead roles, debuted in theatres with a low day. The movie directed by Dheeraj Sarna struggled for a decent first-day collection.

The Sabarmati Report, featuring Vikrant Massey, Ridhi Dogra and Raashii Khanna, delves into the Godhra incident while exploring the divide between English and vernacular journalists, ultimately highlighting the power of local journalism.

The film Sabarmati Report, starring Vikrant Massey, has sparked a lot of discussions on social media. The audience reaction to the film is quite mixed, with both praise and criticism coming from different corners.